𝓜узыкальный 𝓘нтерфейс Нульманна: Поставторcкий арт: другие произведения.

Sukhumi. Five Plays After the Rain

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  • © Copyright Нульманн
  • Обновлено: 16/09/2026. 0k. Статистика.
  • Жанр: AI Generated
  • Автор музыки: Нульманн
  • Автор текста: Нульманн
  • Исполняет: 𝓜узыкальный 𝓘нтерфейс Нульманна: Поставторcкий арт 
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    2.Sukhumi. Allegro irregolare

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: Поставторcкий арт

  • Прослушать:[mp3,4591k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •   Solo piano piece "Sukhumi. II. Allegro irregolare"; lyrical post-tonality; 106 BPM; target duration: 4 minutes 30 seconds. An expansive five-stage form: a dry rhythmic exposition; permutations of the D-A-B♭-F-E figure; a contrasting middle section; an extended return; and a short-yet not premature-coda. Displaced accents and shifting groupings maintain a precise internal pulse. A subtle Adjarian trace-a rhythmically defined ostinato and independent voice leading-without dance-like qualities or direct quotation. Sparse use of the pedal, clear articulation, and a bass line that occasionally becomes mobile. Do not conclude after the first repetition; develop the material further in two additional contrasting registers. No Romantic virtuosity, breathless chases, or torrential cascades. Concert grand piano only; no vocals, percussion, orchestra, electronics, choir, or folk instruments.
 
    
 
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    3. Sukhumi. Andante flessibile

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: 𝓜узыкальный 𝓘нтерфейс Нульманна: Поставторcкий арт

  • Прослушать:[mp3,5034k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •   Lyrical post-tonality for solo concert grand piano, D-A-B♭-F-E divided among three equal contrapuntal voices, concealed inner notes gradually shifting between hands into a near-independent middle line, active bass responses, extended development, second build-up, post-climax coda, soft precise attack, p-mp dynamics, localized rubato, audible overlaps and decays, slow continuous 66 BPM
 
    
 
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    5. Sukhumi. Largo semplice

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: Поставторcкий арт

  • Прослушать:[mp3,4385k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •   Solo piano piece "Sukhumi. Largo semplice," lyrical post-tonality, 48 BPM, target duration 5 minutes 30 seconds. Spacious form: a sparse introduction; the return of intervals from the D-A-B♭-F-E figure; slow expansion; a quiet peak that avoids a climax; gradual thinning out; a long coda. The musical material is recognized only late and does not return in a literal recapitulation. The outer voices briefly converge around an open fifth, leaving a faint Georgian trace without direct quotation or national emblems. Certain sympathetic strings remain undamped; the ending is determined by the release of the hands and pedal, followed by natural decay. Do not conclude the piece after the initial slowing down; a final, independent section must emerge thereafter. No farewell lament, grand climax, or definitive resolution. Concert grand piano only-no vocals, choir, orchestra, electronics, rain, or background sounds.
 
    
 
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    1.Sukhumi. Lento sospeso

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: Поставторcкий арт

  • Прослушать:[mp3,3794k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •    Lyrical post-key for solo concert grand piano, refracted as a slow chamber impression at ≈52 BPM: pp-p, suspended opening, D-A-B-F- hinted through widely separated registers, rare low harmonic anchoring like a subdued Georgian drone, clear tactile attack and natural decay, shifting developmental phases after a modified return, extended unresolved coda without premature closure; dry intimate studio space, restrained overtones, forward melodic logic preserved while the music remains unaware of its own ending
 
    
 
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    6.Sukhumi. Retrogusto.

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: 𝓜узыкальный 𝓘нтерфейс Нульманна: Поставторcкий арт

  • Прослушать:[mp3,4260k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •   Sukhumi. Retrogusto. Solo concert grand only. Lyrical post-tonality, Largo semplice, 48 BPM, 5:30. Virtuosity of touch, voicing and pedal only-no speed, no ornament. Opens sparse and already wet. D, E, F, A, B♭ prepared as silent resonance; sostenuto holds those dampers if possible, damper pedal separate. One inner line passes between the hands in the same low-middle register; neither hand owns it. Repeated notes lose weight until one is not struck and only the body of the piano answers. Feminine as memory in the decay, never a high melody. D-A-B♭-F-E arrives late, worn, not a recap. Quiet peak without climax, never above mezzo piano: outer voices almost meet on an open fifth, a faint Georgian trace, no emblems. Thinning. After the first ritardando, a short independent coda of residual tones. Hands and pedal released; undamped strings die alone. No vocals, orchestra, electronics, rain, FX, lament, climax, or resolution. Aftertaste only: wet stone, iodine, warm dust, salt air.
 
    
 
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    4. Sukhumi.Moderato

 
    
 
    
 
    


    



 

    




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  • Автор музыки: Нульманн

  • Автор текста: Нульманн

  • Исполняет: Поставторcкий арт

  • Прослушать:[mp3,3491k]
  • Размещена: 12/09/2026

  • Жанр: Другое




    •   Solo piano piece "Sukhumi.Moderato"-a resonant, late-period revision characterized by lyrical post-tonality and a tempo of 60 BPM. Two audible voices hold equal status: the upper voice is not a melody, nor is the lower one an accompaniment. They enter separately, overlap, diverge, and converge again. A third, nearly inaudible voice is created by the open strings D, E, F, A, and B-flat (first octave), held silently via the sostenuto pedal; this voice manifests through timbral shifts and a long decay. The middle section introduces a restrained rhythmic ostinato and an active bass line-faint traces of Western Georgian polyphony, devoid of folk melodies, dance rhythms, or direct quotations. Form: preparation of silence; polyphonic dialogue; expansion; a near-stationary central section; a modified return; a long coda. Development continues after the central pause. Dynamics: p-pp; brief use of the damper pedal. For concert grand piano only; no vocals, choir, orchestra, electronics, or rain sounds.
    


    


 

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